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Developed as a "visual album", its songs are accompanied by non-linear short films that illustrate the musical concepts conceived during production.
During extensive touring the following year, the album changed as she conceived of creating a visual accompaniment to its songs and resumed recording sessions with electronic producer and rock musician Boots.
The album sold over , copies in the United States and , copies worldwide in its first three days of sales, becoming the fastest-selling album in the history of the iTunes Store up to that point.
The album was reissued in November as part of a platinum edition , along with an extended play of new songs, and has sold over 5 million copies worldwide.
Part of the album was promoted on The Mrs. Carter Show World Tour during the legs. Weekends off. You could go and jump in the pool and ride bikes The album's opening track " Pretty Hurts ", co-written by Sia, was completed during these sessions.
She refused to ignore its potential. At a later meeting, he played her a stream of consciousness rap called "Ghost", which he wrote after an exasperating meeting with a potential record label.
Boots began by composing a melody that reminded him of a hypnotic state, then layering guitar arpeggios to resemble the work of English electronic musician Aphex Twin.
While recording in New York City, the previously released "Bow Down" was incorporated into a track that became "Flawless".
When working with Detail and Timbaland on a beat that became "Drunk in Love", she was inspired by what she described as pure enjoyment, as both she and Jay-Z free-styled their verses for the track in the studio.
Only four songs were not recorded entirely in New York studios: " Superpower " and "Heaven", which were partially recorded in California , as well as " No Angel " which was composed in London and "XO" in Berlin and Sydney.
She highlighted the immersive experience of Michael Jackson 's Thriller as the principal influence for creating a body of work that "people would hear things differently and [ The videos were filmed between June and November in various countries as the singer traveled on her world tour.
Several videos were intended to demonstrate the album's central theme of "finding the beauty in imperfection". She went on to say, "I know finding my sensuality, getting back into my body, being proud of growing up, it was important to me that I expressed that I know that there are so many women who feel the same way".
The album adopts unconventional song structure and as Evan Rytlewski of The A. Club notes, many songs "[emphasize] moody, shifting beats and drawn-out vibe sessions" and are left to slowly unfurl.
Several critics noted the album's extensive exploration of sexuality. Much like her previous albums, the record is feminist , with greater exploration of gender issues and conflated with "an unwavering look at black female sexual agency.
It opens with the earlier released "Bow Down", before seguing into an excerpt of a speech by Chimamanda Ngozi Adichie on the socialization of girls.
Other songs allude to darker themes of fear and personal insecurities. And all of those things I feel happy to express".
Over three months he considered over a hundred options, only to proceed with his very first idea. They used a font similar to placards used in boxing matches to represent abrasive masculinity, which was contrasted by the greyish-pink font which they described as "a subversion of femininity".
The singer commented that she was "bored" of her music being marketed as it had been done previously, and wanted its release to be a different experience for her fans.
As soon as the album became exclusively available to iTunes Stores, Sony Music handed down an edict that forbade retailers to put the album up for pre-order , as to further protect the exclusivity with the iTunes Store.
According to a Target spokesperson, the store was only interested in retailing albums which were released digitally and physically simultaneously.
Carter Show World Tour in December Carter Show World Tour. Accompanying the release of "XO", the other lead single " Drunk in Love " was serviced to urban contemporary radio stations in the United States on December 17, Its remix, featuring Nicki Minaj , was released on August 12, At Metacritic , which assigns a weighted mean rating out of to reviews from mainstream publications, the album received a high score of 85, based on 34 reviews.
The album's exploration of sexuality was particularly well received by reviewers. The New York Times ' chief critic Jon Pareles described the tracks as "steamy and sleek, full of erotic exploits and sultry vocals" noting that "every so often, for variety, they turn vulnerable, compassionate or pro-feminist".
He was particularly complimentary of the vocal restraint displayed across the tracks that was absent from previous releases. Van Tofler, president and CEO of Viacom , noted that their choice for the Vanguard Award was influenced by this project, saying, "when [she] put out the record and the way she did it in such a visual way, she was the most obvious choice".
The album also gave her the three largest sales weeks by any female and she became the only female to sell , copies within a week in and became the first person this decade to score , copies in each of its first 3 weeks.
In its second week, the album remained at number one, selling an additional , copies. On December 16, Apple Inc. The album entered the Canadian Albums Chart at number one, with 35, digital copies sold.
There was no radio promotion, no single, no advance press of any kind". The lyric "I woke up like this" from "Flawless" has entered popular culture.
The phrase inspired a viral trend "in which the subject takes a selfie right after they wake up," generated over five million hashtags.
After the International Federation of the Phonographic Industry IFPI announced Friday as the global record release day, Billboard ' s Andrew Flanagan thought the album release was among the influencing points in the decision, writing: "After seven months of semi-public back-and-forth, a conversation instigated in part by Aussie piracy and Beyonce's surprise release in December has resulted in the global recording industry accepting Friday as the release date for new albums.
She builds a better one. Today she sits at the head of the boardroom table at Parkwood Entertainment. In December, she took the world by surprise when she released a new album, complete with videos, and announced it on Facebook and Instagram.
Australian company Elenberg Fraser won planning approval for a two-hundred-and-twenty-six-metre-high skyscraper in Melbourne that will feature a curvaceous form taken from the music video for " Ghost ".
From Wikipedia, the free encyclopedia. Parkwood Columbia. I miss that immersive experience, now people only listen to a few seconds of song on their iPods and they don't really invest in the whole experience.
It's all about the single, and the hype. It's so much that gets between the music and the art and the fans. I felt like, I don't want anybody to get the message, when my record is coming out.
I just want this to come out when it's ready and from me to my fans. Knowles Ammo. Knowles Boots. Knowles Williams Timbaland [a] Harmon [a].
Knowles Caroline Polachek Fauntleroy. Knowles Timbaland Harmon [a]. Shebib Majid Jordan [b] Brown [b]. Knowles Nash Ryan Tedder.
Knowles Williams Frank Ocean. Williams Boots [b]. Joseph Patel of MTV wrote about its creator DJ Screw and how "members of his south Houston crew, the Screwed Up Click, say that Screw was playing around with his turntables in and serendipitously discovered that dramatically reducing the pitch of a record yielded a mellow, heavy sound that resonated with the slowed-down pace of H-Town.
The audio disc combines both parts and refers to it collectively as "Haunted", while the visual disc recognizes them as different videos.
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Retrieved December 19, The Huffington Post. Parkwood Entertainment , Columbia Records. PR Newswire. December 13, Archived from the original on November 25, Retrieved December 13, Liberation Short film, documentary.
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Retrieved October 9, Drake: Mine". Retrieved December 23, The Visual Album Short film, documentary. Contact Music. Retrieved December 22, CTV News.
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Consultado el 14 de enero de The Globe and Mail. July 21, page R1. Archivado desde el original el 13 de agosto de The New Yorker. Consultado el 25 de julio de Consultado el 12 de junio de New York Post Paul Carlucci.
South Florida Times Beatty Media. Daily News Mortimer Zuckerman. Newsday Fred Groser. Archivado desde el original el 26 de junio de Archivado desde el original el 2 de mayo de Archivado desde el original el 3 de marzo de Consultado el 9 de febrero de New York Daily News.
Daily Mail London. The Times London. ABC News. Consultado el 17 de abril de Archivado desde el original el 21 de octubre de Consultado el 9 de abril de Archivado desde el original el 9 de junio de Louis Post-Dispatch.
Archivado desde el original el 19 de septiembre de Consultado el 24 de mayo de Madame Tussauds. Merlin Entertainments Group.
Archivado desde el original el 15 de agosto de Archivado desde el original el 31 de enero de The Boom Box.
AOL Inc. Los Angeles Times Magazine. Archivado desde el original el 14 de mayo de Archivado desde el original el 24 de febrero de Consultado el 27 de octubre de Men's Health.
Rodale Press. Consultado el 3 de enero de Time Inc. People magazine 70 12 : Consultado el 29 de junio de Consultado el 8 de enero de Archivado desde el original el 28 de diciembre de Consultado el 24 de abril de The Guardian.
CablePulse CTV Globe Media. Archivado desde el original el 26 de agosto de Consultado el 30 de septiembre de Consultado el 15 de diciembre de CBS Interactive.
Music Inc. Consultado el 6 de junio de The Observer. Guardian Media Group. Archivado desde el original el 23 de septiembre de Consultado el 23 de septiembre de The Hollywood Reporter.
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Consultado el 2 de diciembre de It is also astonishingly tough. Lemonade I Am… demonstrates her vulnerability, while the second half exudes attitude and assertiveness.
Sasha Fierce Deluxe Version The first side I Am… demonstrates her vulnerability, while the second half exudes attitude and assertiveness.
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